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Gothamist: Phish Spotted in NYC Studio
Well, for those of you who haven't hit up Jambands.com in a couple days, you may have missed out on this little nugget: That photo is allegedly of the band rehearsing in a Brooklyn studio. The website notes that "Though the photograph's ...
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Quiet Flows the Don (English subtitles). Part 2/3 (8/12).
Quiet Flows the Don (English subtitles). Part 2/3 (8/12). A screen adaptation of the novel of the same name by Soviet writer Mikhail Sholokhov, a Nobel Prize winner. The film depicts the destinies of the Don Cossacks during the First World War and the Civil War in Russia. Cossack Grigory Melekhov lives in a village of Veshenskaya. He is in love with Aksynia, but on his fathers insistence, has to marry another girl. Finding out about his love affair with Aksynia, his young wife leaves home. Shortly before the war, Grigory and his beloved also leave the farm. While on the Austrian front, Grigory learns of the Czars abdication and of the end of the war. He is on his way home where Aksynia must be waiting for him. I would highly recommend this film to anyone that is interested in Cossack history and culture and/or early Soviet history. A couple bits of advice for the foreign/western viewer: 1. The first part may not be as exciting as the last two, but it introduces you to all the characters in the film and fleshes out their relations to each other. To get the most out of the parts 2 and 3, it is important to make an effort to put names to faces and note how each character is related to each other. 2. The films were made for audiences that already had some knowledge of Cossacks and this period in history (WWI, Russian revolution, and the civil war). There are scenes that take place in parts 2 and 3 that no background information is given on, and if you are not familiar with the history will be somewhat confusing. It is highly recommended that one do a little reading online on Cossack history during this period before viewing this miniseries. It would also help to have a basic understanding of Russian revolution and subsequent civil war. ====================== Crew: Written and Directed by Sergey GERASlMOV Director of Photography Vladimir RAPOPORT Production Designer B. DULENKOV Music by Yu. LEVlTlN Cast: D. lLCHENKO as Panteley Prokofievich Melekhov A. FlLlPPOVA as llyinichna P. GLEBOV as Grigory N. SMlRNOV as Pyotr L. KHlTYAYEVA as Darya N. ARKHANGELSKAYA as Dunyashka A. BLAGOVESTOV as Stepan Astakhov E. BYSTRlTSKAYA as Aksinya A. ZHUKOV as Miron Grigorievich Korshunov B. NOVlKOV as Mitka A. KARPOV as Grandfather Grishaka V. KHMARA as Mashutka Koshevaya A. SHATOV as General Listnitsky l. DMlTRlYEV as Yevgeny Listnitsky V. SHATUNOVSKY as Shtokman A. TlTOV as Ktolyarov V. ZAKHARCHENKO as Prokhor Zykov M. VASSlLlEV as Khristonya D. KAPKA as Grandfather Sashka S. YURTAlKlN as Valet P. LYUBESHKlN as Shamil © Moscow M.Gorky Film Studio, 1957. ====================== Internet movie Database: http://www.imdb.com/title/tt0051082/ Internet movie Database (comments): http://www.imdb.com/title/tt0051082/usercomments RUSCICO: http://www.ruscico.com/dvd.php?lang=en&dvd=112 ====================== Subtitles from http://subs.com.ru/page.php?id=6484
Quiet Flows the Don (English subtitles). Part 3/3 (8/13).
Quiet Flows the Don (English subtitles). Part 3/3 (8/13). A screen adaptation of the novel of the same name by Soviet writer Mikhail Sholokhov, a Nobel Prize winner. The film depicts the destinies of the Don Cossacks during the First World War and the Civil War in Russia. Cossack Grigory Melekhov lives in a village of Veshenskaya. He is in love with Aksynia, but on his fathers insistence, has to marry another girl. Finding out about his love affair with Aksynia, his young wife leaves home. Shortly before the war, Grigory and his beloved also leave the farm. While on the Austrian front, Grigory learns of the Czars abdication and of the end of the war. He is on his way home where Aksynia must be waiting for him. I would highly recommend this film to anyone that is interested in Cossack history and culture and/or early Soviet history. A couple bits of advice for the foreign/western viewer: 1. The first part may not be as exciting as the last two, but it introduces you to all the characters in the film and fleshes out their relations to each other. To get the most out of the parts 2 and 3, it is important to make an effort to put names to faces and note how each character is related to each other. 2. The films were made for audiences that already had some knowledge of Cossacks and this period in history (WWI, Russian revolution, and the civil war). There are scenes that take place in parts 2 and 3 that no background information is given on, and if you are not familiar with the history will be somewhat confusing. It is highly recommended that one do a little reading online on Cossack history during this period before viewing this miniseries. It would also help to have a basic understanding of Russian revolution and subsequent civil war. ====================== Crew: Written and Directed by Sergey GERASlMOV Director of Photography Vladimir RAPOPORT Production Designer B. DULENKOV Music by Yu. LEVlTlN Cast: D. lLCHENKO as Panteley Prokofievich Melekhov A. FlLlPPOVA as llyinichna P. GLEBOV as Grigory N. SMlRNOV as Pyotr L. KHlTYAYEVA as Darya N. ARKHANGELSKAYA as Dunyashka A. BLAGOVESTOV as Stepan Astakhov E. BYSTRlTSKAYA as Aksinya A. ZHUKOV as Miron Grigorievich Korshunov B. NOVlKOV as Mitka A. KARPOV as Grandfather Grishaka V. KHMARA as Mashutka Koshevaya A. SHATOV as General Listnitsky l. DMlTRlYEV as Yevgeny Listnitsky V. SHATUNOVSKY as Shtokman A. TlTOV as Ktolyarov V. ZAKHARCHENKO as Prokhor Zykov M. VASSlLlEV as Khristonya D. KAPKA as Grandfather Sashka S. YURTAlKlN as Valet P. LYUBESHKlN as Shamil © Moscow M.Gorky Film Studio, 1957. ====================== Internet movie Database: http://www.imdb.com/title/tt0051082/ Internet movie Database (comments): http://www.imdb.com/title/tt0051082/usercomments RUSCICO: http://www.ruscico.com/dvd.php?lang=en&dvd=112 ====================== Subtitles from http://subs.com.ru/page.php?id=6484
TAPPS - RUNAWAY ( WITH MY LOVE )
Label: Power Records (7) Format: Vinyl, 12", 45 RPM Country: Canada Released: 1984 Genre: Electronic Style: Hi NRG, Synth-pop, Disco Credits: Arranged By - Tapps Artwork By [Design] - Borys Backing Vocals [Male] - 'Da Boyz' Composed By, Drum Programming [Linn], Keyboards [Roland Sh 101, Jp-8 Juno 6, Korg Poly 6] - Allan Coelho , Tony DaCosta Engineer, Mixed By, Recorded By - Marc Lappano Lead Vocals, Backing Vocals - Candy Berthiaume Lyrics By - Allan Coelho , Vince Degiorgio* Percussion - Norman Jones Photography - Ron McGough Producer - Peter Frost Notes: Recorded and mixed at Kensington Studios, Toronto, Canada. Produced for Nightworks Entertainment. Published by Tapps Music and Cookley Music.
Someone loves the rain « Terataki Studio
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Breathe (Zach V Pink Floyd cover)
"Breathe"[1] is the second track[2] from British progressive rock band Pink Floyd's 1973 album, The Dark Side of the Moon. The writing of this song is credited to David Gilmour, Roger Waters, and Richard Wright. The song is slow-paced and rich in texture, deploying David Gilmour's skilled multitrack performances of slide guitar and lead vocals in gentle, warm timbres. On the original Dark Side of the Moon album, it is a single track that is preceded by "Speak To Me". The song is considered to be a representation of birth, with a relief from labour. Its lyrics, composed by Roger Waters, beseech the listener to pause in their seemingly-endless labours and take notice of more meaningful pursuits in life. Approximately three minutes in length, it is the first song on the album, preceded only by wordless screaming and sound effects found across the album in "Speak to Me." Since this sound collage segues directly into "Breathe" via the use of a sustained backwards piano chord, they are usually played together on the radio and the two are conjoined on most CD versions of the album. The D 7th augmented 9th was inspired by Miles Davis' Kind of Blue. Keyboardist Richard Wright had worked out the chord and wanted to find a way to get it back to Eminor so he changed it to a D 7th flatted 9th. The colourful, complex chord changes represents the sophisticated approach to melody and harmonies in the music at the era of Meddle and Dark Side Of The Moon. The song has been covered by a variety of bands including The Shins and The Flaming Lips. [edit] Alternative and Live versions The P*U*L*S*E CD and DVD features a live version of the song with a run time of 2:33. The song was played at the Live 8 concert and features on the DVD. For that performance "Breathe" and "Breathe (Reprise)" were combined to form one song. Although Pink Floyd themselves had never done this before, Sea of Green had previously covered the song in this manner on their 2001 album Time to Fly. The solo Roger Waters DVD and CD, In the Flesh: Live, features a version of the song sung by Doyle Bramhall and Jon Carin. Roger Waters originally recorded a song called "Breathe" for Music from "The Body", a soundtrack album which he recorded with Ron Geesin. Although the two are largely different in lyrics, chords and subject matter, this version can be seen as an early version of the song. Although the song is still available through a CD release of the album, it often appears on Pink Floyd bootlegs, most notably on A Tree Full Of Secrets. [edit] Personnel David Gilmour - Guitar, Slide guitar and Vocals Roger Waters - Bass and Tape effects Richard Wright - Organ, Keyboards and Backing vocals Nick Mason - Drums and Percussion [edit] Cover Version A cover version of Breathe by 50 Cent Haircuit appears on the 2003 Pink Floyd tribute album A Fair Forgery of Pink Floyd Breathe is covered on Pink Floyd Tribute album An All Star Lineup Performing The Songs of Pink Floyd featuring McAuley Schenker Group vocalist Robin McAuley and Steely Dan/Doobie Brothers guitarist Jeff "Skunk" Baxter The Shins also covered Breathe during their 2007 tour. A recorded version was going to be released as a B-Side on their upcoming single Turn On Me, but instead it will be released on a BBC compilation. Sea of Green cover Breathe and Breathe (Reprise) on their album Time to Fly. The Dark Side of the Moon (titled in the 1993 CD release as Dark Side of the Moon, and often abbreviated as DSotM) is a concept album by the British progressive rock band Pink Floyd, released in 1973 and engineered by Alan Parsons. It is notable for its use of Musique concrète and philosophical lyrics, something that would eventually become a trademark of Pink Floyd's music. The album was a landmark in rock music, as it featured radio-friendly songs such as "Money", "Time", "Us and Them", and "Brain Damage/Eclipse". Some music critics use the album as a point of reference in determining between "classic" blues rock and the then-new genre of electronic music.[3] The Dark Side of the Moon explores the nature of the human experience. For example, "Time" deals with ageing and the overwhelmingly fast approach of death. "Money" deals with materialism with tongue-in-cheek lyrics and wealth-related sound effects. "Us and Them" deals with conflict, ethnocentrism, and the belief that a person's self is "always in the right".[4] The Dark Side of the Moon is widely hailed by many critics and fans as Pink Floyd's magnum opus, and is generally considered their definitive album.[5] In 2006 it was voted "My Favourite Album" by viewers and listeners to the Australian Broadcasting Corporation.[6] In 1990, Australian radio listeners voted it the best album to make love to,[7] and in 2003, Rolling Stone heralded The Dark Side of the Moon as the 43rd greatest album of all time.[8] The Dark Side of the Moon spent 741 consecutive weeks (14 years) on the USA-based Billboard 200 album chart, the longest duration in history.[9] It is also the fifth highest selling album globally of all time, selling more than forty million units.[10] The only time there is a gap of silence on the whole album is between "The Great Gig in the Sky" and "Money", where there is a side change on the LP; this pause was filled in with a barely audible transition by Alan Parsons for one CD release Recorded by the band and engineer Alan Parsons at Abbey Road Studios between June 1972 and January 1973, the album sessions made use of the most advanced techniques available for recording instruments and sound effects in rock music at that time. Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesisers to their sound as well as some unconventional noises: an assistant engineer running around the studio's echo chamber (during "On the Run"), myriad antique clocks chiming simultaneously (as the intro to "Time"), and a specially-treated bass drum made to sound like a human heartbeat. The heartbeat is most audible as the intro and the outro to the album, but it can also be heard underneath most of the album—the song "Time" and "On the Run" has the low thudding underneath the rest. Roger Waters wrote all of the lyrics in the album and created the early demo tracks in a small garden shed-turned-recording studio at his home. It was in there he also created the intro to "Money" by experimenting with dropping a range of monetary objects. Another novelty of the recording is the metronomic sequence of sound effects played during "Speak to Me" and "Money". This was achieved by laboriously splicing together recordings of ringing cash registers, clinking coins, tearing paper, and buzzing counting machines onto a two-track tape loop (later adapted to four tracks in order to create a unique "walk around the room" effect in quadrophonic presentations of the album). The sonic experimentation on the album required every member of the band to operate the faders simultaneously in order to mix down the intricately assembled multitrack recordings of several of the songs (particularly "On the Run"). Pink Floyd also perfected the use of other studio techniques such as the doubletracking of vocals and guitars (allowing David Gilmour to harmonise flawlessly with himself), flanging effects, odd trickery with reverb and the panning of sounds between channels. To this day, audiophiles use The Dark Side of the Moon as a reference standard to test the fidelity of audio equipment despite the fact that it was originally mixed from third-generation tape with Dolby noise reduction.[11] Alan Parsons engineered the album while on staff at Abbey Road. He once said in an interview that he swapped shifts with colleagues in order to work on the whole project.[12] All four members of Pink Floyd, which included guitarist David Gilmour, drummer Nick Mason, bassist and lyricist Roger Waters, and keyboardist Richard Wright, had some form of participation in the writing and production of the album, which is a rarity among later Pink Floyd albums. However, it is the first of five consecutive Pink Floyd albums with lyrics completely credited to Roger Waters. On most CD pressings, a barely-audible orchestral version of The Beatles' "Ticket to Ride" is audible after "Eclipse", playing very faintly over the heartbeats that close the album. It is unknown why this was included, but it may have been the consequence of a mastering error. The bootleg recording A Tree Full of Secrets includes an amplified, re-processed version of this oddity, which allows it to be heard clearly. This is not found on the original vinyl. Although The Dark Side of the Moon was the planned title of the album, upon the discovery that the band Medicine Head was to release an album of the same name in 1972, the year prior to The Dark Side of the Moon's release, the band changed the album's title to Eclipse: A Piece for Assorted Lunatics. However, the Medicine Head album flopped, so Pink Floyd reverted to the original title. [edit] Voices Clare Torry sang on "The Great Gig in the Sky". In 2004, she sued EMI and Pink Floyd for songwriting royalties, claiming that she co-wrote "The Great Gig in the Sky" with keyboardist Richard Wright. She was originally paid £30 for Sunday studio work. The High Court concluded that Torry was correct but the terms of the lawsuit have yet to be decided.[13] On Pink Floyd's 2006 live DVD P*U*L*S*E, Torry is credited with the vocal composition for "The Great Gig in the Sky" segment. Snippets of dialogue between and over songs are also featured on the recording. Roger Waters devised a method of interviewing people, whereby questions were printed on flashcards in sequential order and the subject's responses were recorded uninterrupted. The questions related to central themes of the album such as madness, violence, and death. Participants were commandeered from around Abbey Road, placed in the darkened studio in front of a microphone, and told to answer the questions in the order which they were presented. This provoked some surprising responses to subsequent questions. For example, the question "When was the last time you were violent?" was immediately followed by "Were you in the right?"[14] Recordings of road manager Roger "The Hat" Manifold were the only ones obtained through a conventional sit-down interview because the band members could not find him at the time and his responses (including "give 'em a quick, short, sharp shock..." and "live for today, gone tomorrow, that's me...") had to be taped later when the flashcards had been lost. Another roadie, Chris Adamson, was on tour with Pink Floyd at the time and recorded his explicit diatribe that opens the album ("I've been mad for fucking years, absolutely years, over the edge for yonks..."). Pink Floyd's executive road manager Peter Watts (father of actress Naomi Watts) contributed the repeated laughter during "Brain Damage" and "Speak to Me". The monologue about "geezers" who were "cruisin' for a bruisin'" and the often-misheard "I never said I was frightened of dying" (during the middle of "The Great Gig in the Sky") came from Peter's wife, Myfanwy Watts. The responses "And I am not frightened of dying, any time will do I don't mind. Why should I be frightened of dying, there's no reason for it you've got to go some time" (during "The Great Gig in the Sky") and closing words "there is no dark side of the Moon really... as a matter of fact it's all dark" (over the "Eclipse" heartbeats) came from the Abbey Road Studios' Irish doorman at the time, Gerry Driscoll. Paul and Linda McCartney were also interviewed, but their answers were considered too cautious for inclusion. McCartney's bandmate Henry McCullough contributed the famous line "I don't know, I was really drunk at the time." (Apparently in answer to the question "Why does anyone do anything?", which immediately preceded it.) [edit] LP packaging The gatefold sleeve of the original LP version. The "Great Pyramids of Giza" Poster. The "concert" poster that came with the original LP version.The album was originally released in a gatefold LP sleeve bearing George Hardie's iconic refracting prism on the cover. Inside were two posters, one bearing pictures of the band in concert with the words PINK FLOYD broken up and scattered about, and the other being a slightly psychedelic image of the Great Pyramids of Giza taken on infrared film. Also included was a sheet of stickers of the pyramids. The album was also the first Pink Floyd album to have picture labels on the record where it depicted a blue prism with black background and the credits written either in grey lettering (European issues) or white lettering (US and Canadian issues). In 1991, the refracting prism album cover was #35 on Rolling Stone's 100 greatest album covers of all time list.[15] In 2003, VH1 named Dark Side's cover the 4th Greatest Album Cover of All Time on their 50 Greatest Album Covers of All Time special.[16] [edit] Reception The Dark Side of the Moon is one of the best-selling albums of all time worldwide, and the 20th-best-selling album in the United States. Though it held the No. 1 spot in America for only one week, it spent a total of 741 consecutive weeks, approximately fourteen years, on the list until April 23, 1988 only to be removed by a rule change. To this day, it occupies a prominent spot on Billboard's Pop Catalog Chart, reaching №1 when the 2003 hybrid CD/SACD edition was released and sold 800,000 copies in the U.S. alone. On the week of May 5, 2006, The Dark Side of the Moon achieved a combined total of 1,500 weeks on the Billboard 200 and Pop Catalog charts. Sales of the album worldwide total over forty million as of 2004, with an average of 8,000 copies sold per week and a total of 400,000 in the year of 2002 — making it the 200th best-selling album of that year nearly three decades after its initial release. It is estimated that one in every fourteen people in the U.S. under the age of fifty owns or owned a copy of this album.[17] According to an August 2, 2006 Wall Street Journal article, although the album was released in 1973, it has sold 7.7 million copies since 1991 in the U.S. alone and continues to log 9,600 sales per week domestically.[18] The LP was released before platinum awards were introduced by the RIAA on January 1, 1976, and it initially only received a gold disc. However, after the introduction of the album on CD, The Dark Side of the Moon would eventually be certified platinum in 1990. On April 6, 1998, the RIAA certified the album at 15x platinum, denoting sales of fifteen million in the United States alone - making it their second biggest-selling album there. "Time", "Money" and "Us and Them" remain radio call-in request favourites, with "Money" having sold well as a single in its own right. Some of the profits from The Dark Side of the Moon were invested in the making of Monty Python and the Holy Grail. The members of Pink Floyd were reportedly huge Monty Python fans, to the point of interrupting recording sessions to watch the Flying Circus.[19] David Gilmour disputed the urban myth that Pink Floyd interrupted recording sessions to watch soccer or Monty Python. In an interview with Uncut Gilmour said, "We would sometimes watch them, but when we were on a roll, we would get on."[20] On February 3-11, 1995, the opening sequence of "Time" was played as a wakeup call for the crew of space mission STS-63.[21] [edit] Reissues and remastering In 1979, The Dark Side of the Moon was released as a remastered LP by Mobile Fidelity Sound Lab (MFSL). It has since been re-released several times on CD. MFSL remastered and re-released the album again in CD form, and the album was again re-released later as a remastered CD as part of the 1992 box set "Shine On." The 1992 remaster was then re-released by itself as a 20th Anniversary box set edition with postcards. The Dark Side of the Moon was re-released as a 30th anniversary hybrid Super Audio CD with a 5.1 channel DSD surround sound version remixed from the original 16-track studio tapes. Some surprise was expressed[citation needed] when longtime producer James Guthrie was called in to mix the new surround mix rather than the original LP engineer, Alan Parsons, who had already produced a definitive quadraphonic mix shortly after the original album was released.[7] This 30th anniversary edition won four Surround Music Awards in 2003. The Dark Side of the Moon was also re-released in 2003 on 180-gram virgin vinyl (mastered by Kevin Gray at AcousTech Mastering) and included reprints of the original posters and stickers that came with the original vinyl release, along with a new 30th anniversary poster. In 2003, bootleg DVD-Audio of the original Parsons quadraphonic mix began circulating.[8] [edit] Dark Side of the Rainbow Main article: Dark Side of the Rainbow When the album is played simultaneously with the 1939 film The Wizard of Oz, numerous images from the film appear to synchronise with the music and lyrics. All band members (save Roger Waters) have firmly stated that the phenomenon is a coincidence.[22] This effect has often been called Dark Side of the Rainbow. [edit] Track listing Track title Credited to Vocals Track times for individual releases Vorbis sample Original release 1973 LP Original CD and 1994 remaster Shine On box set and 1993 rerelease 2003 SACD "Speak to Me" Nick Mason instrumental 1:30 1:00 1:13 1:08 "Breathe" (or "Breathe in the Air")1 David Gilmour Roger Waters Rick Wright David Gilmour 2:43 2:59 2:46 2:48 "On the Run" David Gilmour Roger Waters instrumental 3:30 3:35 3:34 3:50 "Time" (containing "Breathe (Reprise)") David Gilmour Roger Waters Rick Wright Nick Mason David Gilmour (verse) Rick Wright (chorus) 6:53 7:04 7:04 6:49 271K "The Great Gig in the Sky" Rick Wright Clare Torry² Clare Torry 4:15 4:48 4:44 4:44 "Money" Roger Waters David Gilmour 6:30 6:24 6:32 6:22 "Us and Them" Rick Wright Roger Waters David Gilmour Rick Wright (harmony vocal) 7:34 7:49 7:40 7:49 "Any Colour You Like" David Gilmour Rick Wright Nick Mason instrumental 3:24 3:26 3:25 3:26 "Brain Damage" Roger Waters Roger Waters David Gilmour (harmony vocal) 3:50 3:50 3:50 3:46 "Eclipse" Roger Waters Roger Waters Rick Wright (harmony vocal) David Gilmour (harmony vocal) 1:45 2:04 2:02 2:11 Original LP side B starts with the song "Money". Notes: 1 Some releases merge "Speak to Me" and "Breathe" ² Clare Torry was credited for vocal improvisation for "The Great Gig in the Sky" for the first time in the P*U*L*S*E DVD release, due to legal battle won by Torry against Pink Floyd. [edit] Personnel David Gilmour – vocals, guitar, VCS 3 synthesiser Roger Waters – bass guitar, vocals, VCS 3 synthesiser, tape effects Richard Wright – keyboards, vocals, VCS 3 synthesiser Nick Mason – percussion, tape effects Pink Floyd – producers [edit] Additional personnel Lesley Duncan – background vocals Doris Troy – background vocals Barry St. John – background vocals Liza Strike – background vocals Clare Torry – vocals (on "The Great Gig in the Sky") Dick Parry – saxophone Alan Parsons – engineer Peter James – assistant engineer Chris Thomas – mixing consultant James Guthrie – remastering supervisor on 20th anniversary edition, remastering on 30 anniversary editions, 5.1 mixing on 30th anniversary edition Doug Sax – remastering on 20th and 30th anniversary editions Hipgnosis – design, photography Storm Thorgerson – 20th and 30th anniversary edition designs George Hardie – illustrations, sleeve art Jill Furmanosky – photography David Sinclair – liner notes in CD re-release Drew Vogel – art and photography in CD re-release
Truth & Beauty: East Austin Studio Tour This Weekend - Free!
East Austin Studio Tour This Weekend - Free! This is an event I wholeheartedly support and will attend, but neglected to mention this year. I highly recommend you put on your walking shoes and hit the east side. The East Austin Studio ...
Well, for those of you who haven't hit up Jambands.com in a couple days, you may have missed out on this little nugget: That photo is allegedly of the band rehearsing in a Brooklyn studio. The website notes that "Though the photograph's ...
Digital Shot: Free Wondershare Digital Photo Collage Studio Software
There's nothing like ending the week with a chance to pick up a great digital photo collage studio software. ... Vote for Free Wondershare Digital Photo Collage Studio Software : ...
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Quiet Flows the Don (English subtitles). Part 2/3 (8/12).
Quiet Flows the Don (English subtitles). Part 2/3 (8/12). A screen adaptation of the novel of the same name by Soviet writer Mikhail Sholokhov, a Nobel Prize winner. The film depicts the destinies of the Don Cossacks during the First World War and the Civil War in Russia. Cossack Grigory Melekhov lives in a village of Veshenskaya. He is in love with Aksynia, but on his fathers insistence, has to marry another girl. Finding out about his love affair with Aksynia, his young wife leaves home. Shortly before the war, Grigory and his beloved also leave the farm. While on the Austrian front, Grigory learns of the Czars abdication and of the end of the war. He is on his way home where Aksynia must be waiting for him. I would highly recommend this film to anyone that is interested in Cossack history and culture and/or early Soviet history. A couple bits of advice for the foreign/western viewer: 1. The first part may not be as exciting as the last two, but it introduces you to all the characters in the film and fleshes out their relations to each other. To get the most out of the parts 2 and 3, it is important to make an effort to put names to faces and note how each character is related to each other. 2. The films were made for audiences that already had some knowledge of Cossacks and this period in history (WWI, Russian revolution, and the civil war). There are scenes that take place in parts 2 and 3 that no background information is given on, and if you are not familiar with the history will be somewhat confusing. It is highly recommended that one do a little reading online on Cossack history during this period before viewing this miniseries. It would also help to have a basic understanding of Russian revolution and subsequent civil war. ====================== Crew: Written and Directed by Sergey GERASlMOV Director of Photography Vladimir RAPOPORT Production Designer B. DULENKOV Music by Yu. LEVlTlN Cast: D. lLCHENKO as Panteley Prokofievich Melekhov A. FlLlPPOVA as llyinichna P. GLEBOV as Grigory N. SMlRNOV as Pyotr L. KHlTYAYEVA as Darya N. ARKHANGELSKAYA as Dunyashka A. BLAGOVESTOV as Stepan Astakhov E. BYSTRlTSKAYA as Aksinya A. ZHUKOV as Miron Grigorievich Korshunov B. NOVlKOV as Mitka A. KARPOV as Grandfather Grishaka V. KHMARA as Mashutka Koshevaya A. SHATOV as General Listnitsky l. DMlTRlYEV as Yevgeny Listnitsky V. SHATUNOVSKY as Shtokman A. TlTOV as Ktolyarov V. ZAKHARCHENKO as Prokhor Zykov M. VASSlLlEV as Khristonya D. KAPKA as Grandfather Sashka S. YURTAlKlN as Valet P. LYUBESHKlN as Shamil © Moscow M.Gorky Film Studio, 1957. ====================== Internet movie Database: http://www.imdb.com/title/tt0051082/ Internet movie Database (comments): http://www.imdb.com/title/tt0051082/usercomments RUSCICO: http://www.ruscico.com/dvd.php?lang=en&dvd=112 ====================== Subtitles from http://subs.com.ru/page.php?id=6484
Quiet Flows the Don (English subtitles). Part 3/3 (8/13).
Quiet Flows the Don (English subtitles). Part 3/3 (8/13). A screen adaptation of the novel of the same name by Soviet writer Mikhail Sholokhov, a Nobel Prize winner. The film depicts the destinies of the Don Cossacks during the First World War and the Civil War in Russia. Cossack Grigory Melekhov lives in a village of Veshenskaya. He is in love with Aksynia, but on his fathers insistence, has to marry another girl. Finding out about his love affair with Aksynia, his young wife leaves home. Shortly before the war, Grigory and his beloved also leave the farm. While on the Austrian front, Grigory learns of the Czars abdication and of the end of the war. He is on his way home where Aksynia must be waiting for him. I would highly recommend this film to anyone that is interested in Cossack history and culture and/or early Soviet history. A couple bits of advice for the foreign/western viewer: 1. The first part may not be as exciting as the last two, but it introduces you to all the characters in the film and fleshes out their relations to each other. To get the most out of the parts 2 and 3, it is important to make an effort to put names to faces and note how each character is related to each other. 2. The films were made for audiences that already had some knowledge of Cossacks and this period in history (WWI, Russian revolution, and the civil war). There are scenes that take place in parts 2 and 3 that no background information is given on, and if you are not familiar with the history will be somewhat confusing. It is highly recommended that one do a little reading online on Cossack history during this period before viewing this miniseries. It would also help to have a basic understanding of Russian revolution and subsequent civil war. ====================== Crew: Written and Directed by Sergey GERASlMOV Director of Photography Vladimir RAPOPORT Production Designer B. DULENKOV Music by Yu. LEVlTlN Cast: D. lLCHENKO as Panteley Prokofievich Melekhov A. FlLlPPOVA as llyinichna P. GLEBOV as Grigory N. SMlRNOV as Pyotr L. KHlTYAYEVA as Darya N. ARKHANGELSKAYA as Dunyashka A. BLAGOVESTOV as Stepan Astakhov E. BYSTRlTSKAYA as Aksinya A. ZHUKOV as Miron Grigorievich Korshunov B. NOVlKOV as Mitka A. KARPOV as Grandfather Grishaka V. KHMARA as Mashutka Koshevaya A. SHATOV as General Listnitsky l. DMlTRlYEV as Yevgeny Listnitsky V. SHATUNOVSKY as Shtokman A. TlTOV as Ktolyarov V. ZAKHARCHENKO as Prokhor Zykov M. VASSlLlEV as Khristonya D. KAPKA as Grandfather Sashka S. YURTAlKlN as Valet P. LYUBESHKlN as Shamil © Moscow M.Gorky Film Studio, 1957. ====================== Internet movie Database: http://www.imdb.com/title/tt0051082/ Internet movie Database (comments): http://www.imdb.com/title/tt0051082/usercomments RUSCICO: http://www.ruscico.com/dvd.php?lang=en&dvd=112 ====================== Subtitles from http://subs.com.ru/page.php?id=6484
TAPPS - RUNAWAY ( WITH MY LOVE )
Label: Power Records (7) Format: Vinyl, 12", 45 RPM Country: Canada Released: 1984 Genre: Electronic Style: Hi NRG, Synth-pop, Disco Credits: Arranged By - Tapps Artwork By [Design] - Borys Backing Vocals [Male] - 'Da Boyz' Composed By, Drum Programming [Linn], Keyboards [Roland Sh 101, Jp-8 Juno 6, Korg Poly 6] - Allan Coelho , Tony DaCosta Engineer, Mixed By, Recorded By - Marc Lappano Lead Vocals, Backing Vocals - Candy Berthiaume Lyrics By - Allan Coelho , Vince Degiorgio* Percussion - Norman Jones Photography - Ron McGough Producer - Peter Frost Notes: Recorded and mixed at Kensington Studios, Toronto, Canada. Produced for Nightworks Entertainment. Published by Tapps Music and Cookley Music.
Someone loves the rain « Terataki Studio
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Breathe (Zach V Pink Floyd cover)
"Breathe"[1] is the second track[2] from British progressive rock band Pink Floyd's 1973 album, The Dark Side of the Moon. The writing of this song is credited to David Gilmour, Roger Waters, and Richard Wright. The song is slow-paced and rich in texture, deploying David Gilmour's skilled multitrack performances of slide guitar and lead vocals in gentle, warm timbres. On the original Dark Side of the Moon album, it is a single track that is preceded by "Speak To Me". The song is considered to be a representation of birth, with a relief from labour. Its lyrics, composed by Roger Waters, beseech the listener to pause in their seemingly-endless labours and take notice of more meaningful pursuits in life. Approximately three minutes in length, it is the first song on the album, preceded only by wordless screaming and sound effects found across the album in "Speak to Me." Since this sound collage segues directly into "Breathe" via the use of a sustained backwards piano chord, they are usually played together on the radio and the two are conjoined on most CD versions of the album. The D 7th augmented 9th was inspired by Miles Davis' Kind of Blue. Keyboardist Richard Wright had worked out the chord and wanted to find a way to get it back to Eminor so he changed it to a D 7th flatted 9th. The colourful, complex chord changes represents the sophisticated approach to melody and harmonies in the music at the era of Meddle and Dark Side Of The Moon. The song has been covered by a variety of bands including The Shins and The Flaming Lips. [edit] Alternative and Live versions The P*U*L*S*E CD and DVD features a live version of the song with a run time of 2:33. The song was played at the Live 8 concert and features on the DVD. For that performance "Breathe" and "Breathe (Reprise)" were combined to form one song. Although Pink Floyd themselves had never done this before, Sea of Green had previously covered the song in this manner on their 2001 album Time to Fly. The solo Roger Waters DVD and CD, In the Flesh: Live, features a version of the song sung by Doyle Bramhall and Jon Carin. Roger Waters originally recorded a song called "Breathe" for Music from "The Body", a soundtrack album which he recorded with Ron Geesin. Although the two are largely different in lyrics, chords and subject matter, this version can be seen as an early version of the song. Although the song is still available through a CD release of the album, it often appears on Pink Floyd bootlegs, most notably on A Tree Full Of Secrets. [edit] Personnel David Gilmour - Guitar, Slide guitar and Vocals Roger Waters - Bass and Tape effects Richard Wright - Organ, Keyboards and Backing vocals Nick Mason - Drums and Percussion [edit] Cover Version A cover version of Breathe by 50 Cent Haircuit appears on the 2003 Pink Floyd tribute album A Fair Forgery of Pink Floyd Breathe is covered on Pink Floyd Tribute album An All Star Lineup Performing The Songs of Pink Floyd featuring McAuley Schenker Group vocalist Robin McAuley and Steely Dan/Doobie Brothers guitarist Jeff "Skunk" Baxter The Shins also covered Breathe during their 2007 tour. A recorded version was going to be released as a B-Side on their upcoming single Turn On Me, but instead it will be released on a BBC compilation. Sea of Green cover Breathe and Breathe (Reprise) on their album Time to Fly. The Dark Side of the Moon (titled in the 1993 CD release as Dark Side of the Moon, and often abbreviated as DSotM) is a concept album by the British progressive rock band Pink Floyd, released in 1973 and engineered by Alan Parsons. It is notable for its use of Musique concrète and philosophical lyrics, something that would eventually become a trademark of Pink Floyd's music. The album was a landmark in rock music, as it featured radio-friendly songs such as "Money", "Time", "Us and Them", and "Brain Damage/Eclipse". Some music critics use the album as a point of reference in determining between "classic" blues rock and the then-new genre of electronic music.[3] The Dark Side of the Moon explores the nature of the human experience. For example, "Time" deals with ageing and the overwhelmingly fast approach of death. "Money" deals with materialism with tongue-in-cheek lyrics and wealth-related sound effects. "Us and Them" deals with conflict, ethnocentrism, and the belief that a person's self is "always in the right".[4] The Dark Side of the Moon is widely hailed by many critics and fans as Pink Floyd's magnum opus, and is generally considered their definitive album.[5] In 2006 it was voted "My Favourite Album" by viewers and listeners to the Australian Broadcasting Corporation.[6] In 1990, Australian radio listeners voted it the best album to make love to,[7] and in 2003, Rolling Stone heralded The Dark Side of the Moon as the 43rd greatest album of all time.[8] The Dark Side of the Moon spent 741 consecutive weeks (14 years) on the USA-based Billboard 200 album chart, the longest duration in history.[9] It is also the fifth highest selling album globally of all time, selling more than forty million units.[10] The only time there is a gap of silence on the whole album is between "The Great Gig in the Sky" and "Money", where there is a side change on the LP; this pause was filled in with a barely audible transition by Alan Parsons for one CD release Recorded by the band and engineer Alan Parsons at Abbey Road Studios between June 1972 and January 1973, the album sessions made use of the most advanced techniques available for recording instruments and sound effects in rock music at that time. Along with the conventional rock band instrumentation, Pink Floyd added prominent synthesisers to their sound as well as some unconventional noises: an assistant engineer running around the studio's echo chamber (during "On the Run"), myriad antique clocks chiming simultaneously (as the intro to "Time"), and a specially-treated bass drum made to sound like a human heartbeat. The heartbeat is most audible as the intro and the outro to the album, but it can also be heard underneath most of the album—the song "Time" and "On the Run" has the low thudding underneath the rest. Roger Waters wrote all of the lyrics in the album and created the early demo tracks in a small garden shed-turned-recording studio at his home. It was in there he also created the intro to "Money" by experimenting with dropping a range of monetary objects. Another novelty of the recording is the metronomic sequence of sound effects played during "Speak to Me" and "Money". This was achieved by laboriously splicing together recordings of ringing cash registers, clinking coins, tearing paper, and buzzing counting machines onto a two-track tape loop (later adapted to four tracks in order to create a unique "walk around the room" effect in quadrophonic presentations of the album). The sonic experimentation on the album required every member of the band to operate the faders simultaneously in order to mix down the intricately assembled multitrack recordings of several of the songs (particularly "On the Run"). Pink Floyd also perfected the use of other studio techniques such as the doubletracking of vocals and guitars (allowing David Gilmour to harmonise flawlessly with himself), flanging effects, odd trickery with reverb and the panning of sounds between channels. To this day, audiophiles use The Dark Side of the Moon as a reference standard to test the fidelity of audio equipment despite the fact that it was originally mixed from third-generation tape with Dolby noise reduction.[11] Alan Parsons engineered the album while on staff at Abbey Road. He once said in an interview that he swapped shifts with colleagues in order to work on the whole project.[12] All four members of Pink Floyd, which included guitarist David Gilmour, drummer Nick Mason, bassist and lyricist Roger Waters, and keyboardist Richard Wright, had some form of participation in the writing and production of the album, which is a rarity among later Pink Floyd albums. However, it is the first of five consecutive Pink Floyd albums with lyrics completely credited to Roger Waters. On most CD pressings, a barely-audible orchestral version of The Beatles' "Ticket to Ride" is audible after "Eclipse", playing very faintly over the heartbeats that close the album. It is unknown why this was included, but it may have been the consequence of a mastering error. The bootleg recording A Tree Full of Secrets includes an amplified, re-processed version of this oddity, which allows it to be heard clearly. This is not found on the original vinyl. Although The Dark Side of the Moon was the planned title of the album, upon the discovery that the band Medicine Head was to release an album of the same name in 1972, the year prior to The Dark Side of the Moon's release, the band changed the album's title to Eclipse: A Piece for Assorted Lunatics. However, the Medicine Head album flopped, so Pink Floyd reverted to the original title. [edit] Voices Clare Torry sang on "The Great Gig in the Sky". In 2004, she sued EMI and Pink Floyd for songwriting royalties, claiming that she co-wrote "The Great Gig in the Sky" with keyboardist Richard Wright. She was originally paid £30 for Sunday studio work. The High Court concluded that Torry was correct but the terms of the lawsuit have yet to be decided.[13] On Pink Floyd's 2006 live DVD P*U*L*S*E, Torry is credited with the vocal composition for "The Great Gig in the Sky" segment. Snippets of dialogue between and over songs are also featured on the recording. Roger Waters devised a method of interviewing people, whereby questions were printed on flashcards in sequential order and the subject's responses were recorded uninterrupted. The questions related to central themes of the album such as madness, violence, and death. Participants were commandeered from around Abbey Road, placed in the darkened studio in front of a microphone, and told to answer the questions in the order which they were presented. This provoked some surprising responses to subsequent questions. For example, the question "When was the last time you were violent?" was immediately followed by "Were you in the right?"[14] Recordings of road manager Roger "The Hat" Manifold were the only ones obtained through a conventional sit-down interview because the band members could not find him at the time and his responses (including "give 'em a quick, short, sharp shock..." and "live for today, gone tomorrow, that's me...") had to be taped later when the flashcards had been lost. Another roadie, Chris Adamson, was on tour with Pink Floyd at the time and recorded his explicit diatribe that opens the album ("I've been mad for fucking years, absolutely years, over the edge for yonks..."). Pink Floyd's executive road manager Peter Watts (father of actress Naomi Watts) contributed the repeated laughter during "Brain Damage" and "Speak to Me". The monologue about "geezers" who were "cruisin' for a bruisin'" and the often-misheard "I never said I was frightened of dying" (during the middle of "The Great Gig in the Sky") came from Peter's wife, Myfanwy Watts. The responses "And I am not frightened of dying, any time will do I don't mind. Why should I be frightened of dying, there's no reason for it you've got to go some time" (during "The Great Gig in the Sky") and closing words "there is no dark side of the Moon really... as a matter of fact it's all dark" (over the "Eclipse" heartbeats) came from the Abbey Road Studios' Irish doorman at the time, Gerry Driscoll. Paul and Linda McCartney were also interviewed, but their answers were considered too cautious for inclusion. McCartney's bandmate Henry McCullough contributed the famous line "I don't know, I was really drunk at the time." (Apparently in answer to the question "Why does anyone do anything?", which immediately preceded it.) [edit] LP packaging The gatefold sleeve of the original LP version. The "Great Pyramids of Giza" Poster. The "concert" poster that came with the original LP version.The album was originally released in a gatefold LP sleeve bearing George Hardie's iconic refracting prism on the cover. Inside were two posters, one bearing pictures of the band in concert with the words PINK FLOYD broken up and scattered about, and the other being a slightly psychedelic image of the Great Pyramids of Giza taken on infrared film. Also included was a sheet of stickers of the pyramids. The album was also the first Pink Floyd album to have picture labels on the record where it depicted a blue prism with black background and the credits written either in grey lettering (European issues) or white lettering (US and Canadian issues). In 1991, the refracting prism album cover was #35 on Rolling Stone's 100 greatest album covers of all time list.[15] In 2003, VH1 named Dark Side's cover the 4th Greatest Album Cover of All Time on their 50 Greatest Album Covers of All Time special.[16] [edit] Reception The Dark Side of the Moon is one of the best-selling albums of all time worldwide, and the 20th-best-selling album in the United States. Though it held the No. 1 spot in America for only one week, it spent a total of 741 consecutive weeks, approximately fourteen years, on the list until April 23, 1988 only to be removed by a rule change. To this day, it occupies a prominent spot on Billboard's Pop Catalog Chart, reaching №1 when the 2003 hybrid CD/SACD edition was released and sold 800,000 copies in the U.S. alone. On the week of May 5, 2006, The Dark Side of the Moon achieved a combined total of 1,500 weeks on the Billboard 200 and Pop Catalog charts. Sales of the album worldwide total over forty million as of 2004, with an average of 8,000 copies sold per week and a total of 400,000 in the year of 2002 — making it the 200th best-selling album of that year nearly three decades after its initial release. It is estimated that one in every fourteen people in the U.S. under the age of fifty owns or owned a copy of this album.[17] According to an August 2, 2006 Wall Street Journal article, although the album was released in 1973, it has sold 7.7 million copies since 1991 in the U.S. alone and continues to log 9,600 sales per week domestically.[18] The LP was released before platinum awards were introduced by the RIAA on January 1, 1976, and it initially only received a gold disc. However, after the introduction of the album on CD, The Dark Side of the Moon would eventually be certified platinum in 1990. On April 6, 1998, the RIAA certified the album at 15x platinum, denoting sales of fifteen million in the United States alone - making it their second biggest-selling album there. "Time", "Money" and "Us and Them" remain radio call-in request favourites, with "Money" having sold well as a single in its own right. Some of the profits from The Dark Side of the Moon were invested in the making of Monty Python and the Holy Grail. The members of Pink Floyd were reportedly huge Monty Python fans, to the point of interrupting recording sessions to watch the Flying Circus.[19] David Gilmour disputed the urban myth that Pink Floyd interrupted recording sessions to watch soccer or Monty Python. In an interview with Uncut Gilmour said, "We would sometimes watch them, but when we were on a roll, we would get on."[20] On February 3-11, 1995, the opening sequence of "Time" was played as a wakeup call for the crew of space mission STS-63.[21] [edit] Reissues and remastering In 1979, The Dark Side of the Moon was released as a remastered LP by Mobile Fidelity Sound Lab (MFSL). It has since been re-released several times on CD. MFSL remastered and re-released the album again in CD form, and the album was again re-released later as a remastered CD as part of the 1992 box set "Shine On." The 1992 remaster was then re-released by itself as a 20th Anniversary box set edition with postcards. The Dark Side of the Moon was re-released as a 30th anniversary hybrid Super Audio CD with a 5.1 channel DSD surround sound version remixed from the original 16-track studio tapes. Some surprise was expressed[citation needed] when longtime producer James Guthrie was called in to mix the new surround mix rather than the original LP engineer, Alan Parsons, who had already produced a definitive quadraphonic mix shortly after the original album was released.[7] This 30th anniversary edition won four Surround Music Awards in 2003. The Dark Side of the Moon was also re-released in 2003 on 180-gram virgin vinyl (mastered by Kevin Gray at AcousTech Mastering) and included reprints of the original posters and stickers that came with the original vinyl release, along with a new 30th anniversary poster. In 2003, bootleg DVD-Audio of the original Parsons quadraphonic mix began circulating.[8] [edit] Dark Side of the Rainbow Main article: Dark Side of the Rainbow When the album is played simultaneously with the 1939 film The Wizard of Oz, numerous images from the film appear to synchronise with the music and lyrics. All band members (save Roger Waters) have firmly stated that the phenomenon is a coincidence.[22] This effect has often been called Dark Side of the Rainbow. [edit] Track listing Track title Credited to Vocals Track times for individual releases Vorbis sample Original release 1973 LP Original CD and 1994 remaster Shine On box set and 1993 rerelease 2003 SACD "Speak to Me" Nick Mason instrumental 1:30 1:00 1:13 1:08 "Breathe" (or "Breathe in the Air")1 David Gilmour Roger Waters Rick Wright David Gilmour 2:43 2:59 2:46 2:48 "On the Run" David Gilmour Roger Waters instrumental 3:30 3:35 3:34 3:50 "Time" (containing "Breathe (Reprise)") David Gilmour Roger Waters Rick Wright Nick Mason David Gilmour (verse) Rick Wright (chorus) 6:53 7:04 7:04 6:49 271K "The Great Gig in the Sky" Rick Wright Clare Torry² Clare Torry 4:15 4:48 4:44 4:44 "Money" Roger Waters David Gilmour 6:30 6:24 6:32 6:22 "Us and Them" Rick Wright Roger Waters David Gilmour Rick Wright (harmony vocal) 7:34 7:49 7:40 7:49 "Any Colour You Like" David Gilmour Rick Wright Nick Mason instrumental 3:24 3:26 3:25 3:26 "Brain Damage" Roger Waters Roger Waters David Gilmour (harmony vocal) 3:50 3:50 3:50 3:46 "Eclipse" Roger Waters Roger Waters Rick Wright (harmony vocal) David Gilmour (harmony vocal) 1:45 2:04 2:02 2:11 Original LP side B starts with the song "Money". Notes: 1 Some releases merge "Speak to Me" and "Breathe" ² Clare Torry was credited for vocal improvisation for "The Great Gig in the Sky" for the first time in the P*U*L*S*E DVD release, due to legal battle won by Torry against Pink Floyd. [edit] Personnel David Gilmour – vocals, guitar, VCS 3 synthesiser Roger Waters – bass guitar, vocals, VCS 3 synthesiser, tape effects Richard Wright – keyboards, vocals, VCS 3 synthesiser Nick Mason – percussion, tape effects Pink Floyd – producers [edit] Additional personnel Lesley Duncan – background vocals Doris Troy – background vocals Barry St. John – background vocals Liza Strike – background vocals Clare Torry – vocals (on "The Great Gig in the Sky") Dick Parry – saxophone Alan Parsons – engineer Peter James – assistant engineer Chris Thomas – mixing consultant James Guthrie – remastering supervisor on 20th anniversary edition, remastering on 30 anniversary editions, 5.1 mixing on 30th anniversary edition Doug Sax – remastering on 20th and 30th anniversary editions Hipgnosis – design, photography Storm Thorgerson – 20th and 30th anniversary edition designs George Hardie – illustrations, sleeve art Jill Furmanosky – photography David Sinclair – liner notes in CD re-release Drew Vogel – art and photography in CD re-release
Truth & Beauty: East Austin Studio Tour This Weekend - Free!
East Austin Studio Tour This Weekend - Free! This is an event I wholeheartedly support and will attend, but neglected to mention this year. I highly recommend you put on your walking shoes and hit the east side. The East Austin Studio ...